I am not Stephen King

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Over the past five years, the bubble of my life has thrown off any person who doesn’t get that I’m a writer. That it’s weaved into the cloth of my entire being. That telling the stories of the voices in my head is first and foremost what I must do each and every day. I have surrounded myself with people who are themselves writers, and only those non-writers that have taken a moment to realize that not every writer is Stephen King and still has worth and provides benefit to the greater global literary community.

This has been a theme even more pronounced in the last week or so — especially since Mercury went into retrograde. But when Chuck Wendig proffered this on his blog, I went all tunnel-visioned dream-sequence in my head and started reliving many of the moments Penmonkey Wendig details in his piece.

Like at age 13 when I told my mother I wanted to be a writer. She told me to take typing so I would have something to fall back on because the hookers on Eight Mile Road made more money than a writer.

So I took journalism in college. There I dabbled, too, in the literary arts school, who were none too interested in allowing someone from J-school to also be in the English Department. I got the same reaction from the Photography Teacher (fine arts major) when I tried to hand in assignments with a photojournalism slant. Everyone else was photographing the same stark tree or spiral staircase. I wanted to see the emotion in people’s hands and eyes. I flunked photography class, only later to win prizes and awards for my photography. Yes, I resisted mailing copies of the articles of those awards or certificates to that professor.  Us writers tend to be a humble lot for the most part. We save the revenge for the text.

Then I did a stint as a combat photojournalist for the Army. I experienced life for awhile, fully convinced by my dog-eared copy of Fear And Loathing in Las Vegas or the well-worn On The Road in my rucksack, that you couldn’t write about the human condition truly unless you’ve had you’re own experiences to write about. I was so busy living, I rarely wrote, save for that which paid the bills. Exposition to break the band of fiction voices who were clamoring for me to tell their stories. It was my life. One informative article after another.

The lights and waving lines of the dreadful excerpts of my writing life didn’t quit there, no, I had to see flashbacks of the relationships where the people wanted the fact that I was a writer to somehow enhance their lives and reputation. Not love my stories or support me in any way to create it. No, I endured disdainful moments like a lover who wanted me to only write about him, or a now ex-husband who felt, again, if I didn’t churn out the checks ala Stephen King, any time spent away from him because I was writing was a bad thing. Or friends who just wanted me to write hate mail to creditors or edit their job resumes. But to understand that I didn’t want to go out to drinks and dancing because I needed to write was beyond them. Key phrases here:  Not wanted, mind you, but needed.

About 2003, I realized that I had an us vs. them theme in my life.  I hate to seem like writers and non-writers are like democrats and republicans, but like I pointed out earlier, you have folks who do not understand the difficulty involved in having a career or job as a writer. Everyone thinks that being a writer is easy. Many people say they are writers or say “I can write better than that.” You can? Why aren’t you doing so? Why aren’t you the next Stephen King? I mean do non-engineers go up to engineers and tell them how to do their jobs? Do you decide that the police in your town are doing a bad job, so you suit up and jump in the squad car and start patrolling? Yeah, I don’t tell you how to create a class-action lawsuit without ever having cracked open a law text. Don’t tell me you’re a writer because you scrawled a haiku on your kid’s lunch napkin. You’ve dabbled. Just like I dabble in gardening and landscaping.

By 2005 I was realizing that I needed to only have those in my life who were truly supportive of my writing life. It sounds harsh, but you know those hookers on Eight Mile Road don’t tend to hang with Priests or Police either. Although that gives me ideas for a story. Eninem doesn’t have the only license to set a story near Eight Mile Road.

But the horizontal lights and dark spinning tunnel of my writing life reflection didn’t stop there. Enter today, current time stamp. My husband claims he’s married Hemingway. It’s strangely impertinent and complimentary all in one. However, I can concede he has a point (that humility thing again). I get irritated because the neighbor is cutting firewood with a chainsaw when I’m trying to polish a short-story for a literary journal and can’t concentrate; but, all three of my children could be talking to me at once and I don’t hear them because I’m deep in the land of treasure keepers and robot toys come to life. He finds this both endearing and hugely frustrating all in one. But, he loves me and married me. I have all his stuff. And I think he’s sticking around to see where the story ends because it’s so damn interesting, crazy and thrilling. Well, and one day I could be Stephen King.  Or at least have as much disposable income perhaps? Yeah, hopefully that won’t be fiction.

What I think most writers would like, and what I believe Wendig was trying to point out, is the sage old advice that you don’t know what it’s like to be someone unless you’ve traveled in their world. Truly. Not dabbling. Writers are not all the same, save in the fact that oftentimes being a writer is part of who we are and not just a job. It’s kind of like having blue eyes or red hair. Writing callouses on your dominant hand are a tell-tale sign if you’re truly a writer and you wear it proudly. And then some non-writer comes along and tells you to put ointment on the callous.  Look, I don’t ask bookkeepers if they would  like some anti-itch cream for their supposed accounting rash.  I support them in their number-y goodness. Live and let live.

Tell me about your interactions with a writer, your own writing life or how you combat these moments where people scoff at who you are and what you do. Vent, send it out into the hollow snakes of the internet here on this page. Then go out and live your passion. Whatever it is.


stephen matlock

I don’t get the skepticism about being a writer. I get the “what do you do?” kind of questions, and because non-work writing is part of what I do and what I am, I tell that part as well as my work stuff.

Maybe I’m not getting the skepticism because I have what people think of as a “real” job & that my fiction is a hobby.

What is interesting is the responses of (a) You know, I’ve written, too. I just never find a publisher who recognizes good writing, or (b) You should let me tell you my life story – you can make a book about it and we can split the income!


I have to admit it is curious the responses one gets in saying “I’m a writer.” Sometimes it is similar to the reponse of “I am a teacher” (‘Well, those who can’t, teach’) or any ‘non-celebratory’ profession. When I first told someone I was a writer, the response was ‘What makes you think you can write?’ I heard the same with singing, and granted, I’m not Susan Boyle, but I enjoyed my few years in choir because I was helping to entertain, to share a message, to express a part of myself.

I write to entertain, to create an escape for others, to explore. And thanks to supportive friends such as yourself, Casz, taking the writing, the storytelling to new horizons has been quite a journey.

Will I ever be a Stephen King? I’d be lucky to be as strong as Richard Wright. But then his voice is not mine, nor are the stories to tell.

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